Washington Post -
2 Aug 2013 17:47
Of Alfred Hitchcock's cinematic obsessions, the moving body is one of the most remarkable. He lingered on bodies in motion with a choreographer's eye to show us panic, passion and the fragile nature of sanity. Now, in a newly restored version of Hitchcock's first film, a 1925 silent movie called "The Pleasure Garden," we can see the roots of that fascination. It all started with dancers.
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